Shadow drawing

April 24, 2020

Summary: An exciting provocations to get your child drawing, which can tempt even the most reluctant artists

Set-up: 5 mins

Play: 20 mins – 1 hour

Complexity: Suits a variety of abilities

Materials

  • Paper
  • Drawing tools such as pens and pencils, chalk
  • Model animals and dinosaurs (your child’s favourites)

What to do

On a sunny day, set up model animals on a white piece of paper so that their shadow falls onto the paper. Encourage your child to draw round the shadow as a starting point for their picture. There are then all sorts of ways to fill the shadow in. Get younger children to fill in the detail so that the shadow looks like the animal it is of. Then encourage them to draw something nice for the animal to eat, or a cosy home for it. Encourage older children to give the animal shadow a ridiculous pattern, or a funny set of props, to make it humorous. Invite them to imagine and draw a scene around the animal – where is it? What is it doing? Keep drawing fun by focusing on imagining and pretending rather than on realistic depiction of their chosen model. It doesn’t  matter what the drawing looks like as long as you’re having fun!

Extensions

Try some more outdoor drawing activities:

Chalk on your trampoline. This is really very simple but very satisfying, and it doesn’t feel like drawing for those reluctant artists! Try it!

Tape pens or chalk to model vehicles, and stick a few pieces of paper together so they can go driving. Afterwards, can you follow the lines your car made?


What learning does this activity promote?

Fine motor skill, creativity, imagination, language, storytelling

By Dr Vicki Hargraves

PREPARED FOR THE EDUCATION HUB BY

Dr Vicki Hargraves

Dr Vicki Hargraves runs our early childhood education webinar series and also is responsible for the creation of many of our early childhood research reviews. Vicki is a teacher-educator and researcher living in Wellington. Her PhD drew on posthumanist philosophy to understand early childhood education as a deeply materialist practice, and her research and writing interests demonstrate her commitment to creative child- and community-centred approaches to education focused on social justice and participation, as well as attention to multiple ways of knowing and being in early childhood education.

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